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Illustration Collection (#3)

Background imageIllustration Collection: Duke William of Normandy c. 1066 IC008 / 037

Duke William of Normandy c. 1066 IC008 / 037
Battle Abbey and the Battle of Hastings. A reconstruction drawing, by Judith Dobie, showing Duke William of Normandy c. 1066. William the Conqueror. William I, the first Norman king of England

Background imageIllustration Collection: Matilda of Flanders c. 1066 IC008 / 036

Matilda of Flanders c. 1066 IC008 / 036
Battle Abbey and the Battle of Hastings. A reconstruction drawing, by Judith Dobie, of Matilda of Flanders c. 1066. Wife of Duke William of Normandy (William the Conqueror / William I)

Background imageIllustration Collection: Edith of Wessex c. 1066 IC008 / 035

Edith of Wessex c. 1066 IC008 / 035
Battle Abbey and the Battle of Hastings. A reconstruction drawing, by Judith Dobie, of Edith of Wessex c. 1066. Wife of King Edward the Confessor. Anglo-Saxon, crowned Queen of England

Background imageIllustration Collection: Monastic chronicler c. 1066 IC008 / 034

Monastic chronicler c. 1066 IC008 / 034
Battle Abbey and the Battle of Hastings. A reconstruction drawing, by Judith Dobie, showing a monastic chronicler c. 1066. Monk

Background imageIllustration Collection: Saxon Farmer c. 1066 IC008 / 032

Saxon Farmer c. 1066 IC008 / 032
Battle Abbey and the Battle of Hastings. A reconstruction drawing, by Judith Dobie, showing a Saxon Farmer c. 1066

Background imageIllustration Collection: Weavers House, Manchesters Northern Quarter IC294_001

Weavers House, Manchesters Northern Quarter IC294_001
Manchesters Northern Quarter. Cut-away reconstruction drawing showing the arrangement of living and working quarters in a weavers cottage

Background imageIllustration Collection: Prehistoric children IC245 / 001

Prehistoric children IC245 / 001
Reconstruction drawing showing four prehistoric children, with their faces and torsos painted with circular patterns. Judith Dobie

Background imageIllustration Collection: St Vincent de Paul Church, Sheffield ME001205

St Vincent de Paul Church, Sheffield ME001205
St Vincent de Paul Church, Sheffield, South Yorkshire. Pen and ink sketch, by Peter Anson, showing general exterior view of St Vincents from Broad Lane to the south. 1939

Background imageIllustration Collection: St Patricks Church, Soho ME001059

St Patricks Church, Soho ME001059
St Patricks Church, Soho Square, London. Pen and ink sketch, by Peter Anson, of a street frontage in which a Georgian house has been enclosed by an Italianate campanile and a Movietone News office

Background imageIllustration Collection: Reculver Towers CGH01_01_0304

Reculver Towers CGH01_01_0304
A view from the west of Reculver Towers, Kent. Drawing by Charles George Harper. Date range: 1892-1933

Background imageIllustration Collection: Wharram Percy Medieval Village J050131

Wharram Percy Medieval Village J050131
WHARRAM PERCY MEDIEVAL VILLAGE, North Yorkshire. Aerial view reconstruction drawing by Stephen Conlin of Wharram Percy in the 13th century

Background imageIllustration Collection: Danebury Hill Fort J920723

Danebury Hill Fort J920723
DANEBURY HILL FORT, Hampshire. Reconstruction drawing by Karen Guffogg. Celtic Iron Age, approx. 2nd century BC. The round houses in the quarry hollow behind the rampart. Roundhouse

Background imageIllustration Collection: Silbury Hill IC005/048

Silbury Hill IC005/048
Reconstruction drawing showing the final stages of the construction of Silbury Hill, near Avebury Henge, which was completed by about 2300 BC. Artist, Peter Urmston

Background imageIllustration Collection: Berwick Fortifications MP_BWF0055

Berwick Fortifications MP_BWF0055
Fortifications, Berwick-Upon-Tweed, Northumberland, 1900-1920. Hand-tinted copy of a labelled plan of Berwick-upon-Tweed showing significant local building use and ownership

Background imageIllustration Collection: Latton Priory IC306_001

Latton Priory IC306_001
LATTON PRIORY, LATTON BUSH, NORTH WEALD BASSETT, EPPING FOREST, ESSEX. A reconstruction painting showing an oblique view of Latton Priory as it may have appeared in the late 12th century

Background imageIllustration Collection: The Fox and the Stork a42_01587

The Fox and the Stork a42_01587
SOMERSET HOUSE, HALIFAX, CALDERDALE. A detailed view of a plaster panel in Somerset House, illustrating Aesops Fable, the Fox and the Stork

Background imageIllustration Collection: White Star Line designs BL22569a

White Star Line designs BL22569a
A drawing of a staircase on board a ship, showing a dome above. The name of the ship is not recorded, but it is believed to be RMS Britannic

Background imageIllustration Collection: Cafe design for RMS Titanic BL21522_002

Cafe design for RMS Titanic BL21522_002
A drawing showing the proposed design for No. 2 Cafe Parisien on board RMS Titanic

Background imageIllustration Collection: Magi EMM01 / 01 / 029

Magi EMM01 / 01 / 029
St Tysilios Church, Sellack, Herefordshire. Watercolour, by Elsie Matley Moore, of a stained glass window in St Tysilios Church, depicting one of the Magi

Background imageIllustration Collection: Magi EMM01 / 01 / 044

Magi EMM01 / 01 / 044
All Saints Church, Langport, Somerset. Watercolour by Elsie Matley Moore of a stained glass window in All Saints Church, depicting a Magi. 1942

Background imageIllustration Collection: The Last Supper EMM01 / 01 / 057

The Last Supper EMM01 / 01 / 057
St Marys Church, Madley, Herefordshire

Background imageIllustration Collection: Crucifixion EMM01 / 01 / 046

Crucifixion EMM01 / 01 / 046
St Mary The Virgins Church, Westwood, Wiltshire. Two joined watercolours, by Elsie Matley Moore, covering the upper and lower part of a stained glass window showing a Crucifixion scene

Background imageIllustration Collection: The tempting serpent EMM01 / 01 / 042

The tempting serpent EMM01 / 01 / 042
Wells Cathedral, Somerset. Watercolour, by Elsie Matley Moore, of a 14th century stained glass window at Wells Cathedral, depicting the tempting serpent

Background imageIllustration Collection: Crucifixion EMM01 / 01 / 025

Crucifixion EMM01 / 01 / 025
Watercolour by Elsie Matley Moore of an unidentified stained glass window depicting the Crucifixion. 1940-1945

Background imageIllustration Collection: St Mary of Egypt EMM01 / 01 / 002

St Mary of Egypt EMM01 / 01 / 002
St Giles Church, Bredon, Worcestershire. Watercolour by Elsie Matley Moore of a stained glass window depicting St Mary of Egypt in St Giless Church. 1940-1943

Background imageIllustration Collection: St Thomas and St Thomas EMM01 / 01 / 001

St Thomas and St Thomas EMM01 / 01 / 001
St Marys Church, Credenhill, Herefordshire

Background imageIllustration Collection: Kenilworth Church Plan MD53_00039

Kenilworth Church Plan MD53_00039
St Nicholass Church, Kenilworth, Warwickshire. Plan of the church with key produced in 1953

Background imageIllustration Collection: Cloister IC041_002

Cloister IC041_002
FURNESS ABBEY, Cumbria. Reconstruction drawing, by Claire Thorne, depicting the cloister at Furness Abbey, as it may have appeared from about the mid-thirteenth century onwards

Background imageIllustration Collection: Winchester College MD41_00035

Winchester College MD41_00035
Winchester College, Winchester, Hampshire. A schoolroom at Winchester College. Pencil drawing by Charles Bannerman Phillips dated 1909

Background imageIllustration Collection: Cliffords Tower MP_CLI0033

Cliffords Tower MP_CLI0033
CLIFFORDs TOWER, YORK CASTLE, North Yorkshire. Hand coloured sketch elevations of the exterior north and east faces of Cliffords Tower. Drawing by Frank Baines, H.M

Background imageIllustration Collection: Mawgan Porth IC136_001

Mawgan Porth IC136_001
Mawgan Porth, Corwall

Background imageIllustration Collection: Farleigh Hungerford Castle J060019

Farleigh Hungerford Castle J060019
FARLEIGH HUNGERFORD CASTLE, Somerset. Aerial view cutaway reconstruction drawing, by Stephen Conlin, of the Great Hall in the 15th century, hung with tapestries

Background imageIllustration Collection: Apsley House J050018

Apsley House J050018
APSLEY HOUSE, London. Present day cutaway drawing of the first floor by Stephen Conlin

Background imageIllustration Collection: Portchester Castle J020056

Portchester Castle J020056
PORTCHESTER CASTLE, Hampshire. Aerial view cutaway reconstruction drawing of Richard IIs palace in the 14th century, by Stephen Conlin

Background imageIllustration Collection: Viking era boat building IC128_006

Viking era boat building IC128_006
Reconstruction drawing, by Chris Evans, depicting the construction of a Viking era ship on the banks of a river

Background imageIllustration Collection: Coastal battery IC266_003

Coastal battery IC266_003
Reconstruction drawing showing the layout of a typical Second World War emergency coastal battery comprising two 6-inch naval guns in gun-houses

Background imageIllustration Collection: HMS Northumberland IC273_004

HMS Northumberland IC273_004
A cross-section of the hull of HMS Northumberland as it may have appeared in 1703. On board a number of activities are taking place, including the working of the chain pump

Background imageIllustration Collection: Anglo Saxon Cross Wolverhampton CGH01_02_01_024

Anglo Saxon Cross Wolverhampton CGH01_02_01_024
Anglo Saxon Cross, St Peters Collegiate Church, Wolverhampton. Nineteenth century pencil drawing showing the Anglo Saxon cross shaft in the churchyard. Artwork collected by C G Harper

Background imageIllustration Collection: Sandbach Cross CGH01_02_01_020

Sandbach Cross CGH01_02_01_020
Sandbach Crosses, Market Square, Sandbach, Cheshire. the carvings on each side of one of the Sandbach Crosses prior to the 1816 restoration. Watercolour painting dated 1806

Background imageIllustration Collection: Monks Stone North Tyneside CGH01_02_01_018

Monks Stone North Tyneside CGH01_02_01_018
Monks Stone, Beach Road, Preston, North Tyneside. The Monks Stone in its original location outside Monk House Farm. The stone was later removed to the cloister garth of Tynemouth Priory

Background imageIllustration Collection: Butter Cross Scarborough CGH01_02_01_016

Butter Cross Scarborough CGH01_02_01_016
Butter Cross, Low Conduit Street, Scarborough, North Yorkshire. Watercolour painting signed by Sir Henry Englefield, 1783. Artwork collected by C G Harper

Background imageIllustration Collection: Dark Age Cornish King J940332

Dark Age Cornish King J940332
TINTAGEL CASTLE, Cornwall. Dark Age Cornish King. Reconstruction drawing by Ivan Lapper

Background imageIllustration Collection: Medieval worship J940334

Medieval worship J940334
TINTAGEL CASTLE, Cornwall. Worship in The Chapel. Medieval period reconstruction drawing by Ivan Lapper

Background imageIllustration Collection: Conduit House, St Augustines Abbey IC091_018

Conduit House, St Augustines Abbey IC091_018
ST AUGUSTINEs ABBEY, Canterbury, Kent

Background imageIllustration Collection: Sherborne Old Castle J960265

Sherborne Old Castle J960265
SHERBORNE OLD CASTLE, Dorset. The Central Buildings

Background imageIllustration Collection: Neolithic flint mine IC241_001

Neolithic flint mine IC241_001
Easton Down, Wiltshire. Reconstruction drawing by Judith Dobie depicting a birds eye view of the Neolithic flint mining site on Easton Down

Background imageIllustration Collection: Bronze Age round house IC017_002

Bronze Age round house IC017_002
Cut-away reconstruction drawing by Peter Dunn of a Bronze Age round house, with half of the structure removed to reveal a view of a family in the interior. Roundhouse

Background imageIllustration Collection: Archer J870186

Archer J870186
BEESTON CASTLE, Cheshire. Reconstruction drawing by Ivan Lapper. Archer firing arrow through arrow slit

Background imageIllustration Collection: Barnard Castle c. 1100 J880310

Barnard Castle c. 1100 J880310
BARNARD CASTLE, Durham. Reconstruction drawing by Terry Ball of the Inner Ward c.1100, showing stone Gatehouse, timber buildings and curtain walls

Background imageIllustration Collection: St Peters Church, Barton-upon-Humber N070177

St Peters Church, Barton-upon-Humber N070177
ST PETERs CHURCH, Barton-upon-Humber, Lincolnshire. Reconstruction drawing by Liam Wales of the interior of the church in the 15th century. Ceremonial procession

Background imageIllustration Collection: St Peters Church, Barton-upon-Humber N070179

St Peters Church, Barton-upon-Humber N070179
ST PETERs CHURCH, Barton-on-Humber, Lincolnshire. Reconstruction drawing by Liam Wales of the interior of the church showing the congregation in the late 18th century

Background imageIllustration Collection: St Peters Church, Barton-upon-Humber N070176

St Peters Church, Barton-upon-Humber N070176
ST PETERs CHURCH, Barton-upon-Humber, Lincolnshire. Reconstruction drawing by Liam Wales of the interior of the church in Norman period

Background imageIllustration Collection: St Peters Church, Barton-upon-Humber N070173

St Peters Church, Barton-upon-Humber N070173
ST PETERs CHURCH, Barton-upon-Humber, Lincolnshire. Aerial view reconstruction drawing by Liam Wales of the church in the 15th century

Background imageIllustration Collection: St Peters Church, Barton-upon-Humber N070172

St Peters Church, Barton-upon-Humber N070172
ST PETERs CHURCH, Barton-upon-Humber, Lincolnshire. Aerial view reconstruction drawing by Liam Wales of the church in Norman period

Background imageIllustration Collection: St Peters Church, Barton-upon-Humber N070171

St Peters Church, Barton-upon-Humber N070171
ST PETERs CHURCH, Barton-upon-Humber, Lincolnshire. Aerial view reconstruction drawing by Liam Wales of the church in Anglo-Saxon period

Background imageIllustration Collection: High Street Canterbury CGH01_01_1039

High Street Canterbury CGH01_01_1039
High Street, Canterbury, Kent. A coach and horses with groups of passengers, outside the Coach and Waggon Office. This drawing was copied from a painting by Thomas Sidney Cooper, dating from 1827

Background imageIllustration Collection: Rochester Castle CGH01_01_0618

Rochester Castle CGH01_01_0618
Looking south-east across the River Medway towards Rochester Castle, with sailing boats in the foreground. Drawn by C G Harper between 1892-1933

Background imageIllustration Collection: Scarborough Castle CGH01_01_0024

Scarborough Castle CGH01_01_0024
Scarborough Castle, North Yorkshire. A view from the west showing the entrance and the ruins of the keep. Drawn by C G Harper between 1892-1933

Background imageIllustration Collection: Turnham Green CGH01_01_0804

Turnham Green CGH01_01_0804
Old Windmill Public House, 214-214 Chiswick High Road, Turnham Green, London. Drawn by C G Harper 1892-1933

Background imageIllustration Collection: Swarkestone Bridge CGH01_01_0581

Swarkestone Bridge CGH01_01_0581
Swarkestone Bridge, Stanton By Bridge, Derbyshire. Drawn by C G Harper 1892-1933

Background imageIllustration Collection: Dunster CGH01_01_0716

Dunster CGH01_01_0716
A view from the south of the Priory Church of St George, Dunster, Somerset. Drawn by C G Harper 1892-1933

Background imageIllustration Collection: Sudehill Manchester CGH01_01_0366

Sudehill Manchester CGH01_01_0366
Ye Olde Rovers Return Public House, Shudehill, Manchester. Drawn by C G Harper 1892-1933

Background imageIllustration Collection: Peggottys Boat House CGH01_01_0930

Peggottys Boat House CGH01_01_0930
Peggottys Boat House, Kent. A cottage made partly from an upturned boat, at the west end of the Thames and Medway Canal

Background imageIllustration Collection: Folkestone, Kent CGH01_01_1133

Folkestone, Kent CGH01_01_1133
Folkestone, Kent. Fishing boats in the harbour. Drawn by C G Harper between 1892-1933

Background imageIllustration Collection: Cherhill White Horse CGH01_01_0072

Cherhill White Horse CGH01_01_0072
Cherhill, Wiltshire. A view along what is now the A4 from the west showing the Cherhill Monument and White Horse, with 10 Main Road and the inn sign for the Black Horse in the foreground

Background imageIllustration Collection: Lincoln Cathedral mouldings MD44_00143

Lincoln Cathedral mouldings MD44_00143
Hand tinted labelled sheet showing moulding details of the wall arcading of the Angel Choir, Lincoln Cathedral, with key. Measured drawing produced by John Gaff Gillespie in 1902

Background imageIllustration Collection: Wakefield Tower, Tower of London IC102_004

Wakefield Tower, Tower of London IC102_004
Reconstruction drawing, by Terry Ball, depicting the interior of the upper chamber of Wakefield Tower at the Tower of London

Background imageIllustration Collection: St Joan of Arc Church, Farnham ME001218

St Joan of Arc Church, Farnham ME001218
ST JOAN OF ARC CHURCH, Farnham, Surrey. Pen and ink sketch showing the exterior. 1936 sketch by Peter Anson

Background imageIllustration Collection: Norman lookout tower IC016_001

Norman lookout tower IC016_001
Reconstruction drawing, by Philip Corke, showing an exterior view of the Norman lookout tower at Bramber Castle, West Sussex

Background imageIllustration Collection: Ancient Greece IC132_005

Ancient Greece IC132_005
An ancient Greek warrior and/or statesman, possibly Pericles, with the Acropolis in Athens in the background. Illustration by Ivan Lapper, 1990s

Background imageIllustration Collection: The Normans IC132_003

The Normans IC132_003
A Norman soldier attacking with a hand-and-a-half, a two-handed broadsword. In the background is shown a medieval castle keep. Illustration by Ivan Lapper, 1990s

Background imageIllustration Collection: Ancient Egypt IC132_001

Ancient Egypt IC132_001
The golden mask of the mummy of the Egyptian Pharaoh Tutankhamun, with a an ancient Egyptian temple complex in the background. Illustration by Ivan Lapper, 1990s

Background imageIllustration Collection: Lindisfarne Priory J050013

Lindisfarne Priory J050013
LINDISFARNE PRIORY, Holy Island, Northumberland. Cutaway reconstruction drawing by David Simon of the priory church in the later Middle Ages

Background imageIllustration Collection: Lindisfarne Priory J050012

Lindisfarne Priory J050012
LINDISFARNE PRIORY, Holy Island, Northumberland. Aerial view reconstruction drawing by David Simon of the priory in the later Middle Ages from the South West

Background imageIllustration Collection: Helmsley Castle J040009

Helmsley Castle J040009
HELMSLEY CASTLE, North Yorkshire. Reconstruction drawing by Philip Corke of the South Gate in the 13th century. Drawbridge, knight, page / squire

Background imageIllustration Collection: Great Hall, Old Wardour Castle J990034

Great Hall, Old Wardour Castle J990034
OLD WARDOUR CASTLE, Wiltshire. Reconstruction drawing by Philip Corke of an Elizabethan banquet in the Great Hall

Background imageIllustration Collection: Iron Age man IC063_001

Iron Age man IC063_001
Reconstruction drawing by Ivan Lapper depicting an Iron Age man standing beside a wooden palisade fence atop Liddington Castle Hillfort, Swindon

Background imageIllustration Collection: Battle of Hastings J000017

Battle of Hastings J000017
BATTLE ABBEY, East Sussex. Battle of Hastings reconstruction drawing by Peter Dunn. William uses his archers again in last attack on the English

Background imageIllustration Collection: Battle of Hastings J000012

Battle of Hastings J000012
BATTLE ABBEY, East Sussex. Battle of Hastings reconstruction drawing by Peter Dunn showing the Bretons fleeing downhill pursued by the English Fyrdmen

Background imageIllustration Collection: Battle of Winchelsea IC257_009

Battle of Winchelsea IC257_009
Conjectural reconstruction drawing by Judith Dobie showing the English Cog Thomas ramming a Castilian ship, ordered to do so by King Edward III, during the Battle of Winchelsea in 1350

Background imageIllustration Collection: Gritting the roads 9M_HIL_1840

Gritting the roads 9M_HIL_1840
Tower Hill, London. Miss Rist scattering ashes on Tower Hill; (to assist traffic in the snow). Woodcut by J. Knight, vignetted, c.1840. Mayson Beeton Collection

Background imageIllustration Collection: House of Lords, 1755 6L_LOR_1755

House of Lords, 1755 6L_LOR_1755
House of Lords, Westminster, London. aA view of the House of Peers. King sitting on the throne, the Commons attending him at the end of the session, 1755a Engraving by B. Cole

Background imageIllustration Collection: House of Lords, 1650 6L_LOR_1650

House of Lords, 1650 6L_LOR_1650
House of Lords, Palace of Westminster, London. Interior of the House of Lords in session. Etching by W. Hollar dated c.1650. Mayson Beeton Collection

Background imageIllustration Collection: Whitehall in the 1790s 6C_WHI_1794

Whitehall in the 1790s 6C_WHI_1794
Whitehall, Westminster, London. looking south along Whitehall, showing the Banqueting House. Coloured aquatint by Thomas Malton, published in 1794. Mayson Beeton Collection



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